HELL OR HIGH WATER

HELL OR HIGH WATER

VIEW TRAILER

TUE thru THU: (9/27-29) 7:00

Crime | Drama | 102  min.  R. 2016

Director: David Mackenzie
Starring: Jeff Bridges, Chris Pine, Ben Foster, Gil Birmingham

In Hell or High Water, a crime drama about the collision of the Old and New West, two brothers—Toby (Chris Pine), a straight-living, divorced father trying to make a better life for his son; and Tanner (Ben Foster), a short-tempered ex-con with a loose trigger finger—come together to rob branch after branch of the bank that is foreclosing on their family land. The hold-ups are part of a last-ditch scheme to take back a future that powerful forces beyond their control have stolen from under their feet. Vengeance seems to be theirs until they find themselves in the crosshairs of a relentless, foul-mouthed Texas Ranger (Jeff Bridges) looking for one last triumph on the eve of his retirement. As the brothers plot a final bank heist to complete their plan, a showdown looms at the crossroads where the last honest law man and a pair of brothers with nothing to live for except family collide.

And Bridges? What’s there to say about a man who makes it look so easy, and who – in one breathless, pivotal scene – runs through a range of emotion like a wild pony running across the land. Genius, any way you look at it. —Philadelphia Inquirer

By turns funny, elegiac and thrilling, it’s a tale of brotherhood and family that takes in the harsh beauty of the land, the elusive nature of right and wrong and the quirky delights of human connections in a time of bewildering change.—Wall Street Journal

The year’s most exhilarating film.—St. Louis Post-Dispatch

Hell or High Water is a terrific piece of entertainment…. It isn’t a highbrow indie but a gritty work of art. Mackenzie’s movie thrills for all the right reasons and will be fondly remembered at year’s end.—Tampa Bay Times

HELL OR HIGH WATER

HELL OR HIGH WATER

VIEW TRAILER

TUE thru THU: (9/27-29) 7:00

Crime | Drama | 102  min.  R. 2016

Director: David Mackenzie
Starring: Jeff Bridges, Chris Pine, Ben Foster, Gil Birmingham

In Hell or High Water, a crime drama about the collision of the Old and New West, two brothers—Toby (Chris Pine), a straight-living, divorced father trying to make a better life for his son; and Tanner (Ben Foster), a short-tempered ex-con with a loose trigger finger—come together to rob branch after branch of the bank that is foreclosing on their family land. The hold-ups are part of a last-ditch scheme to take back a future that powerful forces beyond their control have stolen from under their feet. Vengeance seems to be theirs until they find themselves in the crosshairs of a relentless, foul-mouthed Texas Ranger (Jeff Bridges) looking for one last triumph on the eve of his retirement. As the brothers plot a final bank heist to complete their plan, a showdown looms at the crossroads where the last honest law man and a pair of brothers with nothing to live for except family collide.

And Bridges? What’s there to say about a man who makes it look so easy, and who – in one breathless, pivotal scene – runs through a range of emotion like a wild pony running across the land. Genius, any way you look at it. —Philadelphia Inquirer

By turns funny, elegiac and thrilling, it’s a tale of brotherhood and family that takes in the harsh beauty of the land, the elusive nature of right and wrong and the quirky delights of human connections in a time of bewildering change.—Wall Street Journal

The year’s most exhilarating film.—St. Louis Post-Dispatch

Hell or High Water is a terrific piece of entertainment…. It isn’t a highbrow indie but a gritty work of art. Mackenzie’s movie thrills for all the right reasons and will be fondly remembered at year’s end.—Tampa Bay Times

HELL OR HIGH WATER

HELL OR HIGH WATER

VIEW TRAILER

TUE thru THU: (9/27-29) 7:00

Crime | Drama | 102  min.  R. 2016

Director: David Mackenzie
Starring: Jeff Bridges, Chris Pine, Ben Foster, Gil Birmingham

In Hell or High Water, a crime drama about the collision of the Old and New West, two brothers—Toby (Chris Pine), a straight-living, divorced father trying to make a better life for his son; and Tanner (Ben Foster), a short-tempered ex-con with a loose trigger finger—come together to rob branch after branch of the bank that is foreclosing on their family land. The hold-ups are part of a last-ditch scheme to take back a future that powerful forces beyond their control have stolen from under their feet. Vengeance seems to be theirs until they find themselves in the crosshairs of a relentless, foul-mouthed Texas Ranger (Jeff Bridges) looking for one last triumph on the eve of his retirement. As the brothers plot a final bank heist to complete their plan, a showdown looms at the crossroads where the last honest law man and a pair of brothers with nothing to live for except family collide.

And Bridges? What’s there to say about a man who makes it look so easy, and who – in one breathless, pivotal scene – runs through a range of emotion like a wild pony running across the land. Genius, any way you look at it. —Philadelphia Inquirer

By turns funny, elegiac and thrilling, it’s a tale of brotherhood and family that takes in the harsh beauty of the land, the elusive nature of right and wrong and the quirky delights of human connections in a time of bewildering change.—Wall Street Journal

The year’s most exhilarating film.—St. Louis Post-Dispatch

Hell or High Water is a terrific piece of entertainment…. It isn’t a highbrow indie but a gritty work of art. Mackenzie’s movie thrills for all the right reasons and will be fondly remembered at year’s end.—Tampa Bay Times

Backstage, Opera House, Blackpool. 1964

FRI (9/30)  4:00 & 7:00

SAT (10/1)  1:00 & 7:00

SUN (10/2)  4:00 & 7:00

MON-WED (10/3-5)  7:00

Documentary 137 min.  Not Rated.

Director: Ron Howard

The theatrical version of this wonderful documentary has 30 minutes of additional, restored footage of the famous 1965 concert at Shea Stadium.  

We all know the moment, February 9, 1964 at 8:12 PM EST – after a brief commercial break, four young men from Liverpool step onto the Ed Sullivan stage, changing culture forever. Seventy-three million people watched The Beatles perform that night – the largest audience to date in television history. It was an event that united a nation and signaled the birth of a youth culture as we know it today. But while this single performance introduced The Beatles to America – the band had already taken Europe by storm the previous year – what the band did next would introduce them to the entire world, permanently transforming the music industry and forever engraining them into the fabric of popular culture…

They went on tour…

From June of 1962 to the time the band quit touring in August of 1966, The Beatles performed 815 times in 15 different countries and 90 cities around the world. The cultural phenomenon that their touring helped create, known as “Beatlemania,” was something the world had never seen before and, arguably, hasn’t since. It was the first time that much of the world felt truly unified – bound by aspiration and attitude, rather than divided by race, class, religion or nationality.

From Academy Award-winning director Ron Howard, The Beatles: Eight Days a Week tells the story of these exceptional touring years – from the perspectives of the band, its orbit, the fans, and their world. The film recreates the touring experience through the eyes of the band members themselves, where every stop was an adventure – from early performances in Hamburg to their January 1964 performance in France. It takes us all over Europe and the Far East to Australia – where the group was greeted by hundreds of thousands of avid fans – and Japan. Along the way, the film delves into the inner workings of the group – how they made decisions, created their music, and built a collective career together — as well as the effect those years had on their personal and musical evolution. But while the band created the spark, it was young people around the globe who created the firestorm. The film also explores the incomparable electricity between performer and audience that turned the music into a movement – a common experience into something sublime.

Drawing from more than 100 hours of rare and unseen footage collected from fans, news outlets and national archives, as well as the Beatles’ private collection, The Beatles: Eight Days a Week – The Touring Years crafts a cinematic experience unlike any Beatles film that has come before, and unlike any other documentary.

Backstage, Opera House, Blackpool. 1964

FRI (9/30)  4:00 & 7:00

SAT (10/1)  1:00 & 7:00

SUN (10/2)  4:00 & 7:00

MON-WED (10/3-5)  7:00

Documentary 137 min.  Not Rated.

Director: Ron Howard

The theatrical version of this wonderful documentary has 30 minutes of additional, restored footage of the famous 1965 concert at Shea Stadium.  

We all know the moment, February 9, 1964 at 8:12 PM EST – after a brief commercial break, four young men from Liverpool step onto the Ed Sullivan stage, changing culture forever. Seventy-three million people watched The Beatles perform that night – the largest audience to date in television history. It was an event that united a nation and signaled the birth of a youth culture as we know it today. But while this single performance introduced The Beatles to America – the band had already taken Europe by storm the previous year – what the band did next would introduce them to the entire world, permanently transforming the music industry and forever engraining them into the fabric of popular culture…

They went on tour…

From June of 1962 to the time the band quit touring in August of 1966, The Beatles performed 815 times in 15 different countries and 90 cities around the world. The cultural phenomenon that their touring helped create, known as “Beatlemania,” was something the world had never seen before and, arguably, hasn’t since. It was the first time that much of the world felt truly unified – bound by aspiration and attitude, rather than divided by race, class, religion or nationality.

From Academy Award-winning director Ron Howard, The Beatles: Eight Days a Week tells the story of these exceptional touring years – from the perspectives of the band, its orbit, the fans, and their world. The film recreates the touring experience through the eyes of the band members themselves, where every stop was an adventure – from early performances in Hamburg to their January 1964 performance in France. It takes us all over Europe and the Far East to Australia – where the group was greeted by hundreds of thousands of avid fans – and Japan. Along the way, the film delves into the inner workings of the group – how they made decisions, created their music, and built a collective career together — as well as the effect those years had on their personal and musical evolution. But while the band created the spark, it was young people around the globe who created the firestorm. The film also explores the incomparable electricity between performer and audience that turned the music into a movement – a common experience into something sublime.

Drawing from more than 100 hours of rare and unseen footage collected from fans, news outlets and national archives, as well as the Beatles’ private collection, The Beatles: Eight Days a Week – The Touring Years crafts a cinematic experience unlike any Beatles film that has come before, and unlike any other documentary.

Backstage, Opera House, Blackpool. 1964

FRI (9/30)  4:00 & 7:00

SAT (10/1)  1:00 & 7:00

SUN (10/2)  4:00 & 7:00

MON-WED (10/3-5)  7:00

Documentary 137 min.  Not Rated.

Director: Ron Howard

The theatrical version of this wonderful documentary has 30 minutes of additional, restored footage of the famous 1965 concert at Shea Stadium.  

We all know the moment, February 9, 1964 at 8:12 PM EST – after a brief commercial break, four young men from Liverpool step onto the Ed Sullivan stage, changing culture forever. Seventy-three million people watched The Beatles perform that night – the largest audience to date in television history. It was an event that united a nation and signaled the birth of a youth culture as we know it today. But while this single performance introduced The Beatles to America – the band had already taken Europe by storm the previous year – what the band did next would introduce them to the entire world, permanently transforming the music industry and forever engraining them into the fabric of popular culture…

They went on tour…

From June of 1962 to the time the band quit touring in August of 1966, The Beatles performed 815 times in 15 different countries and 90 cities around the world. The cultural phenomenon that their touring helped create, known as “Beatlemania,” was something the world had never seen before and, arguably, hasn’t since. It was the first time that much of the world felt truly unified – bound by aspiration and attitude, rather than divided by race, class, religion or nationality.

From Academy Award-winning director Ron Howard, The Beatles: Eight Days a Week tells the story of these exceptional touring years – from the perspectives of the band, its orbit, the fans, and their world. The film recreates the touring experience through the eyes of the band members themselves, where every stop was an adventure – from early performances in Hamburg to their January 1964 performance in France. It takes us all over Europe and the Far East to Australia – where the group was greeted by hundreds of thousands of avid fans – and Japan. Along the way, the film delves into the inner workings of the group – how they made decisions, created their music, and built a collective career together — as well as the effect those years had on their personal and musical evolution. But while the band created the spark, it was young people around the globe who created the firestorm. The film also explores the incomparable electricity between performer and audience that turned the music into a movement – a common experience into something sublime.

Drawing from more than 100 hours of rare and unseen footage collected from fans, news outlets and national archives, as well as the Beatles’ private collection, The Beatles: Eight Days a Week – The Touring Years crafts a cinematic experience unlike any Beatles film that has come before, and unlike any other documentary.

Backstage, Opera House, Blackpool. 1964

FRI (9/30)  4:00 & 7:00

SAT (10/1)  1:00 & 7:00

SUN (10/2)  4:00 & 7:00

MON-WED (10/3-5)  7:00

Documentary 137 min.  Not Rated.

Director: Ron Howard

The theatrical version of this wonderful documentary has 30 minutes of additional, restored footage of the famous 1965 concert at Shea Stadium.  

We all know the moment, February 9, 1964 at 8:12 PM EST – after a brief commercial break, four young men from Liverpool step onto the Ed Sullivan stage, changing culture forever. Seventy-three million people watched The Beatles perform that night – the largest audience to date in television history. It was an event that united a nation and signaled the birth of a youth culture as we know it today. But while this single performance introduced The Beatles to America – the band had already taken Europe by storm the previous year – what the band did next would introduce them to the entire world, permanently transforming the music industry and forever engraining them into the fabric of popular culture…

They went on tour…

From June of 1962 to the time the band quit touring in August of 1966, The Beatles performed 815 times in 15 different countries and 90 cities around the world. The cultural phenomenon that their touring helped create, known as “Beatlemania,” was something the world had never seen before and, arguably, hasn’t since. It was the first time that much of the world felt truly unified – bound by aspiration and attitude, rather than divided by race, class, religion or nationality.

From Academy Award-winning director Ron Howard, The Beatles: Eight Days a Week tells the story of these exceptional touring years – from the perspectives of the band, its orbit, the fans, and their world. The film recreates the touring experience through the eyes of the band members themselves, where every stop was an adventure – from early performances in Hamburg to their January 1964 performance in France. It takes us all over Europe and the Far East to Australia – where the group was greeted by hundreds of thousands of avid fans – and Japan. Along the way, the film delves into the inner workings of the group – how they made decisions, created their music, and built a collective career together — as well as the effect those years had on their personal and musical evolution. But while the band created the spark, it was young people around the globe who created the firestorm. The film also explores the incomparable electricity between performer and audience that turned the music into a movement – a common experience into something sublime.

Drawing from more than 100 hours of rare and unseen footage collected from fans, news outlets and national archives, as well as the Beatles’ private collection, The Beatles: Eight Days a Week – The Touring Years crafts a cinematic experience unlike any Beatles film that has come before, and unlike any other documentary.