Biography | Drama | History 2h 4 min. R.  2018

Director: Josie Rourke
Cast: David Tennant, Saoirse Ronan, Guy Pearce, Margot Robbie, Joe Alwyn, Gemma Chan

Betrayal, rebellion, and conspiracies within the courts of Mary Stuart and Elizabeth I imperil both thrones—and change the course of history.

Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart (Saoirse Ronan, Lady Bird). Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I (Margot Robbie, I, Tonya). Each young Queen holds her “sister” in fear and fascination. Rivals in power and in love, and female sovereigns in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth’s sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones—and change the course of history. Mary Queen of Scots stars two of last year’s Academy Award nominees for Best Actress in a powerhouse duel of forceful personalities, with lives and thrones at stake. With Guy Pearce, David Tennant, Joe Alwyn and Gemma Chan. Directed by Josie Rourke, artistic director of the influential Donmar Warehouse Theatre.

Ronan’s fiery Mary and Robbie’s emotionally complex Elizabeth truly reign divine on screen.—The Wrap

The film is led by a performance of thrilling regality and nuance from Saoirse Ronan as Mary.—The Telegraph

“Saoirse Ronan and Margot Robbie are both superb in muted performances and the story never loses sight of its deep compassion for these characters and their shared plight of being held hostage by conniving, belittling, power-hungry men determined to usurp their authority” —Screen International.

It is a finely constructed drama, avoiding stuffiness without slipping into camp territory and while diehard historians might disapprove, everyone else will be supremely entertained. —The Guardian

 Biography | Drama 111min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

Biography | Drama | History 2h 4 min. R.  2018

Director: Josie Rourke
Cast: David Tennant, Saoirse Ronan, Guy Pearce, Margot Robbie, Joe Alwyn, Gemma Chan

Betrayal, rebellion, and conspiracies within the courts of Mary Stuart and Elizabeth I imperil both thrones—and change the course of history.

Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart (Saoirse Ronan, Lady Bird). Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I (Margot Robbie, I, Tonya). Each young Queen holds her “sister” in fear and fascination. Rivals in power and in love, and female sovereigns in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth’s sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones—and change the course of history. Mary Queen of Scots stars two of last year’s Academy Award nominees for Best Actress in a powerhouse duel of forceful personalities, with lives and thrones at stake. With Guy Pearce, David Tennant, Joe Alwyn and Gemma Chan. Directed by Josie Rourke, artistic director of the influential Donmar Warehouse Theatre.

Ronan’s fiery Mary and Robbie’s emotionally complex Elizabeth truly reign divine on screen.—The Wrap

The film is led by a performance of thrilling regality and nuance from Saoirse Ronan as Mary.—The Telegraph

“Saoirse Ronan and Margot Robbie are both superb in muted performances and the story never loses sight of its deep compassion for these characters and their shared plight of being held hostage by conniving, belittling, power-hungry men determined to usurp their authority” —Screen International.

It is a finely constructed drama, avoiding stuffiness without slipping into camp territory and while diehard historians might disapprove, everyone else will be supremely entertained. —The Guardian

 Biography | Drama 111min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

 Biography | Drama 111min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

 Biography | Drama 111min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

 Biography | Drama 111min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

Biography | Drama 111 min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

Biography | Drama 111 min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

Biography | Drama 111 min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

Biography | Drama 111 min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

Biography | Drama 111 min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

Biography | Drama 111 min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

Biography | Drama 111 min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

Biography | Drama 111 min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

Biography | Drama 111 min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire

Biography | Drama 111 min. PG-13 2018

Director: Julian Schnabel
Writers: Jean-Claude Carrière, Julian Schnabel
Stars: Willem Dafoe, Rupert Friend, Oscar Isaac

A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

It’s a beautiful visual and spiritual journey through the glorious highs and devastating lows of a brilliant artist who was ahead of his time. — Film Threat

By adamantly focusing above all else on van Gogh’s work — and its transporting ecstasies — Schnabel has made not just an exquisite film but an argument for art.— Manohla Dargis, The New York Times

Schnabel’s film is not so much about the artist as a journey into his inner being, so we experience the world in much the same blissed-out, tormented and chaotic way he himself did. — Film Journal International

Schnabel fuses form and content in a way that’s rarely attempted and even more rarely achieved; in risking the same derision with which Van Gogh was sometimes met, he transcends the limitations of the conventional biopic and creates something that feels genuinely new. —Indiewire